Printing and materials
We are obsessed with quality print materials. As artists ourselves we have high standards for professional printing house craftsmanship and deliver exhibition-grade finished products that stand the test of time. We constantly explore ways of presenting art in new, exciting ways, utilising high-grade papers, glazes and finishes for our prints.
Hahnemühle Fine ARt Print
Hahnemühle German Etching 310gsm is a heavy museum grade fine art paper with a velvety matte surface. The paper has a warm white hue, strong texture and provides brilliant colours.
The frame is created from high-quality wood from FSC-approved forests and come ready to hang.
Please note that the size of the product refers to the size of the print. The wood frame and mounting gives the piece an additional 7cm of width and height.
Hahnemühle prints are acrylic glazed and mounted on white. The wood frame is either black or white according to your choice. You may also order the print unframed.
“Annapurna” by Janne Räikkönen
Acrylic glass panel
Acrylic glass panel is a frameless 12-colour fine art giclée print which is hand mounted onto a 10mm thick high-gloss acrylic perspex. Acrylic glass panel has highly luminous colours with brilliant depth and crystal clear, diamond polished edges. The perspex gives the print a unique, luxurious outlook. Acrylic glass panels are fade resistant for up to a hundred years.
Due to the high acrylic volume of the glass covering the the giclée, the print is robust and heavier than dibond.
Acrylic glass panels are backed by an invisible subframe which floats the piece of the wall by 15mm.
“Lamma Island” by Janne Räikkönen
Dibond print is a 3mm deep frameless sheet which consists of a polythene core pressed between two thin aluminium sheets. It is lightweight and classic alternative to the heavier aluminium print. Dibond prints are strong and minimalistic, and an all-time favourite of our curatorial team for art exhibitions.
Because of its anti-glare matte finish, dibond prints are suitable for hanging in places where there is constant directed illumination, for example a directed spotlight.
Dibond prints have an anti-glare matte finish and are backed by an invisible subframe which floats the piece of the wall by 15mm.
“Fushimi Inari-Taisha” by Janne Räikkönen